Constantin Brâncuși – Capturing the Essence

Constantin Brâncuși is one of the most important sculptors of the modern era. Born in Romania in 1876, he was an innovator pushing the boundaries of sculpture in the early 20th century and beyond. His minimalist aesthetic was a huge inspiration for other artists like Isamu Noguchi, Alberto Giacometti and Barbara Hepworth.

Constantin Brâncuși’s work is renowned for its poetic use of abstract and minimalist forms and its close relationship with nature. His sculptures are characterized by an organic, sensual quality that was a reaction to the more structured forms of traditional art. This makes his works both visually impressive and thought-provoking.

His interest in sculpture began in 1904 when he moved to Paris, where he observed the works of Auguste Rodin and became his assistant1. Deeply inspired by Rodin’s work, Brâncuși began his career as a sculptor and soon developed a unique style that combined Eastern and Western traditions, such as folk-art, Primitivism, and Cubism. He established his own studio only three years later in 1907.

Constantin Brancusi, Fish, 1924, bleached plaster, 13.5 x 43 x 2.5 cm, veined marble print from 1922 (Philadelphia Museum of Art), Centre Pompidou, National Museum of Modern Art, Paris Legs Constantin Brancusi, 1957 © Centre Pompidou , MNAM-CCI, Dist. RMNGrand Palais / Adam Rzepka © ADAGP, Paris 2014 under Fair Use
Minimalist Sculpture by Constantin Brâncuși, Bird in Space
Bird in Space, Bronze, 137.2 x 21.6 x 16.5 cm © Succession Brancusi – All rights reserved (ARS) 2018 under Fair Use

He strived to capture the essence of his subjects through abstract and reduced forms. He challenged the conventions of realism in sculpture, creating his own abstract language that challenged the preconceived notions of what could be considered art. His abstract forms were full of emotion and energy and helped to redefine the way we think of sculpture in the modern age.

At the beginning of the 20th century, Paris was full of creative energy, which Brancusi immersed himself through his affiliation with avant-garde circles. He built strong relationships with some of the period’s greatest minds, including Louise Bourgeois, Pablo Picasso, and Marcel Duchamp. Over the years, Brâncuși’s works were exhibited in galleries and museums around the world, including the Museum of Modern Art, the Art Institute of Chicago, and the Tate Modern in London.

Brâncuși believed the relationship between sculptures and the space they occupied to be of vital importance. In the 1910s, he laid out sculptures in close proximity, producing “mobile groups” that highlighted their connection to one another and the possibilities of their arrangement.2

Simplicity is not an end in art, but we usually arrive at simplicity as we approach the true sense of things.

Constantin Brâncuși on simplicity
Endless Column version I, 1918, oak, 203.2 x 25.1 x 24.5 cm, ©Succession Brancusi – All rights reserved (ARS) 2018 via MoMa under Fair Use
Torso of a Young Man, c. 1917-1922,
Maple; limestone block, 48.3 x 31.5 x 18.5 cm © Constantin Brancusi / Artists Rights Society (ARS), New York / ADAGP, Paris under Fair Use
Prodigal Son, c. 1914-1915, Oak and limestone base, 44.4 x 20.5 x 20.5 cm © Constantin Brancusi / Artists Rights Society (ARS), New York / ADAGP, Paris under Fair Use

In the 1920s, his studio (which was later reconstructed and can be visited today) became an exhibition space in its own right. Through this he learned to view his sculptures as a group of spatial relationships and felt the need to constantly change their positions to bring out a certain unity. In his later years, he stopped creating new works and focused on how they fit together in the studio. When he sold a piece, he replaced it with a plaster copy to maintain the coherence of the space.

Capturing the Essence

Constantin Brâncuși was truly an innovative and imaginative sculptor who pushed the boundaries of modern sculpture. He was the master of reduced forms, utilizing abstracted shapes and minimal lines to convey the essence of the subject matter. He sought to explore the universal truths that lie beyond the physical world, believing that the true beauty of his sculptures could only be revealed through a reduction of forms, peeling away the superfluous to expose the essential elements of the subject.

His sculptures have become icons of modern art, encapsulating the essence of modernism. Brâncuși’s works are captivating and beautiful, offering viewers a glimpse into the real beauty of the world beyond what is visible on the surface.

His works can be seen at the Musée National d’Art Moderne, Centre Georges Pompidou in Paris, France, the Museum of Modern Art in New York, the Kunstmuseum Basel, and the National Museum of Fine Arts in Bucharest.

Further Reading

1 https://www.artnet.com/artists/constantin-brancusi/

2 https://www.centrepompidou.fr/en/collection/brancusis-studio

https://www.moma.org/artists/738

Minimalist Art by minimalist Artist Agnes Martin
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Agnes Martin

Aesence is a creative studio and digital design magazine with a high curatorial approach. Founded by Sarah Dorweiler, a creative mind and entrepreneur from Berlin, her goal is to capture the feeling of harmony, balance and inner peace in her curatorial work and photography.